A BIASED VIEW OF DANCE FRIDAYS

A Biased View of Dance Fridays

A Biased View of Dance Fridays

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I picture this timing most likely developed throughout the Palladium period but I haven't verified that. Eddie Torres began teaching and promoting this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dance instructor, who helped him create his technique and timing.


The story I'm consistently informed below, that still requires more investigation, is that as salsa began getting to new audiences beyond the Caribbean and New York, it was much easier and extra user-friendly to teach social outsiders to dance On1 as opposed to On2. This tale doesn't account for the reality that I've heard Rueda de Casino was initially danced a tiempo On3 in Cuba.


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Salsa On1 is just one of different salsa timings you can dance to and it is the most common timing you'll find worldwide today. Salsa On1 timing definition: "On1" implies you begin dancing on the initial beat of the bar of songs the 1. Your break steps (direction changes) are on beats 1 and 5.


The exceptions I've located up until now, where On2 is most usual, would certainly be around New york city and in South Korea (Bachata Dance San Francisco). I'm sure there are other locations that dance mostly On2 yet I have not danced in every country! If you're unsure what timing is most common where you live, ask your local dancing workshop


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When a person states "I dance salsa On1" they possibly suggest "I dance linear style salsa On1" (although you can dance any design of salsa On1, individuals normally indicate straight design). Don't worry if you have actually stated these points previously, it's all great we all have! The important point is to bear in mind there's a difference between style and timing and strengthen your understanding so you can be much more accurate when discussing salsa with your buddies.


It connects perfectly with the wording in the songs, especially the piano, and various other percussion instruments like the cow bell and giro. Timing and style are two different points, so different the ideas when you chat regarding salsa with your close friends. No matter of what timing is most common in your area of the world, remember you can practically dance any kind of design of salsa to any kind of timing check out and delight in!


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Although there is an initial mambo dance that originated from Cuba and afterwards infected Mexico and New York City in the 40s and 50s, nowadays when a person states "I dance mambo" they indicate salsa On2, which is various than the original mambo dance. The occasional free-from actions of the initial mambo were danced solo.




And that's what we refer to as mambo or salsa on2 today. As the dancing began to spread, On1 timing began to come to be preferred. Salsa On2 meaning: "On2" indicates you start dancing on the first beat of bench of songs the 2. Your break steps (direction adjustments) get on beats 2 and 6.


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A great deal of dancers appreciate dancing On2 for the varied means you can connect to the songs. Son cubano is the music and dance that preceded mambo and salsa.


It connects well to the clave, bass and conga - Bachata San Francisco. Cha-cha is similar to dancing On2 contratiempo however you include the three-way action on 4 and 8. Although danced to the same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dance.


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It attaches well with the more information conga and cowbell. https://dancefrisfca.start.page. This timing is almost identical to contratiempo On2 however the actions that are usually on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.


5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you step half a beat late in the home position (on 4. 5 rather than 4) you're dancing syncopated timing. In truth it appears it's usually danced as kind of a "error" for any individual dancing the previous two timings.


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As discussed previously, this was the very first interpretation of dance on clave (child clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as numerous steps of your standard as possible with the strikes of the son clave.


Normally, people have actually found a means to dance on almost every timing feasible to son and salsa music. Individuals dance On3 for the same factor you dance On1 because it highlights the solid beats of 1-3-5-7.


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Allow's check out the beats you dance On1 to: -2-, -6- (strong beats remain in vibrant) Let's take a look at the beats you dance On3 to: -4-, -8- (strong beats remain in strong) Notification just how the solid beats are spaced precisely the exact same for On1 and On3? All you do is beginning tipping On3 rather than On1.


That's why dance On3 is so usual in Latin America. People either Try to dance On1 yet begin tipping On3 by crash and it exercises just fine, or They don't know much about timing and are just translating what they hear in the music, based on their experience maturing in a society with salsa.

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